An Antiquary


Carl Spitzweg – The Bookworm 1

How often do we become an caricature of our passions? Are we compared to those of old who are considered peculiar or strange? When we look at those who are so predisposed the following quote from John Earle’s Microcosmography satire on the Antiquary is cruelly witty and might feel too close to home. Yet we know that we are following a trail that is full of wonders and adventures and our tendencies are to Bibliophilia rather than Bibliomania! 2


 

He is a man strangely thrifty of time past, and an enemy indeed to his maw, whence he fetches out many things when they are now all rotten and stinking. He is one that hath that unnatural disease to be enamoured of old age and wrinkles, and loves all things (as Dutchmen do cheese), the better for being mouldy and worm-eaten. He is of our religion, because we say it is most antient; and yet a broken statue would almost make him an idolater. A great admirer he is of the rust of old monuments, and reads only those characters, where time hath eaten out the letters. He will go you forty miles to see a saint’s well or a ruined abbey; and there be but a cross or stone foot-stool in the way, he’ll be considering it so long, till he forget his journey. His estate consists much in shekels, and Roman coins; and he hath more pictures of Cæsar, than James or Elizabeth. Beggars cozen him with musty things which they have raked from dung-hills, and he preserves their rags for precious relics.

 

He loves no library, but where there are more spiders’ volumes than authors’, and looks with great admiration on the antique work of cobwebs. Printed books he contemns, as a novelty of this latter age, but a manuscript he pores on everlastingly, especially if the cover be all moth-eaten, and the dust make a parenthesis between every syllable. He would give all the books in his study (which are rarities all), for one of the old Roman binding, or six-lines of Tully in his own hand. His chamber is hung commonly with strange beasts’ skins, and is a kind of charnel-house of bones extraordinary; and his discourse upon them, if you will hear him, shall last longer. His very attire is that which is the eldest out of fashion. He never looks upon himself till he is grey-haired, and then he is pleased with his own antiquity. His grave does not fright him, for he has been used to sepulchres, and he likes death the better, because it gathers him to his fathers. 3


Originally published in 1628, our library has the 1897 reprint of the 1811 Dr. Bliss’s edition of Microcosmography. This is an interesting tome with descriptions of various and sundry personalities. Take a look and see who else John Earle described and see if you find other familiar characters.

Worldcat: Link

  • Title: Microcosmography : Piece of the world discovered – Or, a Piece of the World Characterized; in Essays and Characters / by John Earle … A reprint of Dr. Bliss’s edition of 1811. With a preface and supplementary appendix by S.T. Irwin.
  • Bristol, London: W. Crofton Hemmons: Simpkin, Marshall, Hamilton, Kent & co., ltd., 1897.
  • Language: English
  • Setting: Classical, Caricature
  • DLWA Call Number: PR2270.E15 M5 1897
  1. The Bookworm (German: Der Bücherwurm) is an 1857 oil-on-canvas painting by the German painter and poet Carl Spitzweg.
  2. See the following Wikipedia reference for the difference between the two Link:
  3. Microcosmography, ibid, 1897 – Page 20.

Des Passagers et du Pilote


Our manuscripts and Archives received a single leaf from an early French version of Æsop’s fables. In trying to determine the correct bibliographic information for cataloging the current best guess is that the page was printed in the 1660’s and is probably from the book “Nouveau recueil des fables d’Esope : mises en franc?ois avec le Sens moral en quatre vers, & des Figures à chaque Fable, dedié a la jeunesse1.

In spite of the bibliographical questions the content of this page has as meaningful message today as it did 200 or 2000 years ago.

Des Passagers et du Pilote

Un vaisseau poussé par la tempête vint échouer sur la côte, et là s’entrouvrit. Comme il était sur le point d’être submergé par les vagues, les Passagers qui s’y étaient embarqués, jetaient de grands cris et se désespéraient.

Ils auraient pu songer à chercher les moyens de se sauver, mais la peur les troublait à tel point, qu’ils ne pensaient, les mains levées vers le ciel, qu’à implorer le secours des dieux. Cependant le Pilote leur criait, en quittant ses habits :

” Amis, s’il est bon de montrer ses bras à Jupiter, il ne l’est pas moins, dans le péril où nous sommes, de les tendre à la mer “.

Cela dit, il s’y jette, et si bien, qu’à force de nager, il gagne la côte ; il ne s’y fut pas plutôt sauvé, qu’il vit la mer engloutir, avec le vaisseau, ceux qui n’avaient eu d’autre ressource que celle de leurs voeux.

A very rough translation of this fable goes something like this:

A vessel pushed by the tempest fell on the coast, and there it opened. As he was on the point of being submerged by the waves, the Passengers who had embarked there shouted loudly and despaired.

They might have thought of seeking the means of escape, but fear disturbed them to such an extent that they thought, with their hands raised to heaven, only to implore the help of the gods. However, the Pilot shouted to them, removing his clothes:

“Friends, if it is good to show his arms to Jupiter, it is none the less, in the peril we are in, to stretch them to the sea.”

Having said that, he threw himself into it, and so well that, by dint of swimming, he reached the coast. He had no sooner saved himself, when he saw the sea swallowing up with the ship those who had no other resource than that of their vows.

Words to live by today!

Worldcat: Link

  • Title: Des Passagers et du Pilote
  • Publisher: Paris, [1660?]
  • Language: French
  • Setting: Classical Fables
  • DLWA Call Number: PZ24.2 .A254 1660?
  1. (Note that in the WorldCat link above, the earliest mention of this volume is 1718. There is a great deal of research to complete on this bibliographical record.)

A Gentle Madness


Today’s featured book is “A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books” by Nicholas A. Basbanes.

It is appropriate that the front cover of A Gentle Madness features an image attributed to the artist Haintz-Nar-Meister titled “Of Useless Books”. This print was featured in Sebastian Brant’s 1494 book “The Ship of Fools”. Brant created a monastic poem that featured more than 100 follies and vices practiced by “fools” of the day. One folly that has carried down through the ages is the vice of book mania.

Basbanes charts the history of this madness, carefully documenting great collectors who participate in the only hobby that has a disease named after it and the libraries they created. Our library has the first edition of this tail of strange and wonderful characters who have pursued the passion of collecting books. This is a fascinating read but does not provide any antidote to bibliomaina as we can personally confirm.


DLWA Call Number: Z992 .B34 1999
Amazon.com: Link

  • Title: A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books
  • ISBN: 0805036539 (ISBN13: 978-0805036534)
  • Language: English
  • Setting: book collecting
  • Literary awards: finalist for the 1995 National Book Critics Circle award

–DLW